![]() Potter soon began conducting her own experiments with spores she had germinated herself. With his help and encouragement, she continued advancing her microscopic observations, which kindled in her an intense fascination with how mushrooms reproduced - something poorly understood at the time. There is also something quite poetic about Potter’s obsession with fungi - in her later children’s books, she bridged real life and fantasy by transmuting the animals and plants she observed in nature into whimsical characters and stories, and mushrooms have long symbolized this very transmutation, perhaps most prominently in Lewis Carroll’s Wonderland, which first captured the popular imagination the year Potter was born.īut her interest went far beyond the mere aesthetics or symbolism of mushrooms - she was studious about their taxonomy, taught herself the proper technique for accurate botanical illustration, and worked tirelessly to get an introduction to the eminent mycologist Charles McIntosh. Hygrophorus puniceus (Armitt Museum and Library) Unlike insects or shells or even fossils, fungi also guaranteed an autumn foray into fields and forests, where she could go in her pony cart without being encumbered by family or heavy equipment. She was drawn to fungi first by their ephemeral fairy qualities and then by the variety of their shape and colour and the challenge they posed to watercolour techniques. She never saw art and science as mutually exclusive activities, but recorded what she saw in nature primarily to evoke an aesthetic response. ![]() Lear writes:īeatrix’s interest in drawing and painting mushrooms, or fungi, began as a passion for painting beautiful specimens wherever she found them. In the winter months, she frequented London’s Natural History Museum to study their displays. Flammulina velutipes (Armitt Museum and Library)īy her early twenties, Potter had developed a keen interest in mycology and began producing incredibly beautiful drawings of fungi, collecting mushroom specimens herself and mounting them for careful observation under the microscope. But Potter’s scientific work was exceptional in that she deliberately tried to penetrate the very institutions that dismissed women’s scientific labor solely on the basis of gender. The pervasive Victorian enthusiasm for natural history produced quite a few female amateur scientists, including ornithologist Genevieve Jones, lepidopterist Maria Merian, and fossil-hunter Mary Anning - “amateur” being not a reflection of their scientific rigor and dedication, which were formidable, but of the fact that a formal scientific education was virtually inaccessible to women, except for the rare Ada Lovelace or Maria Mitchell, and membership in scientific societies was strictly reserved for men. (In addition to her extraordinary achievements and far-reaching creative legacy, I have always held special affection for Potter for the absurdly human reason that we share a birthday.) Teenage Beatrix Potter with her pet mouse Xarifa, 1885 (Princeton University Library, Rare Books and Special Collections)īut no aspect of Potter’s kaleidoscopic genius is more fascinating than her vastly underappreciated contribution to science and natural history, which comes to life in Linda Lear’s altogether magnificent Beatrix Potter: A Life in Nature ( public library) - by far the best book on Potter and one of the finest biographies ever written, Lear’s prose itself a supreme work of art. ![]() Her 1913 book The Tale of Pigling Bland was a childhood favorite of George Orwell’s and became one of the key inspirations for his allegorical masterwork Animal Farm. Potter’s art was a formative influence for Maurice Sendak, who collected her books, traveled to her farm, winked at her famous costumed mice in his reimagining of Nutcracker, and incorporated some of her work into his illustrations for The Big Green Book by Robert Graves. ![]() At a time when women had no right to vote and virtually no access to higher education, very rarely owned property and were themselves considered the property of their husbands, Potter became a commercially successful writer and artist, using the royalties from her books to purchase her famed Hill Top Farm, where she lived simply and with great love for the land for the remaining four decades of her life. The Tale of Peter Rabbit and her other gloriously illustrated children’s books tickle the human imagination through the fantastical aliveness of nature and its creatures, in a spirit partway between Aesop and Mary Oliver, between Tolkien and Thoreau. ![]() Beatrix Potter (July 28, 1866–December 22, 1943) is one of the most beloved and influential storytellers of all time. ![]()
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